Artist and art teacher, I am the founder of Relative Informalism.
My painting arises from the collision between Informal Art and Surreal Expressionism:
two universes that clash and merge, generating a new, free, visionary language.

“I claim the absolute freedom of imagination, the fusion between dream and reality, between gesture and vision.
In my work, mark, color, and form do not obey: they move within an open space, where chance becomes choice and the unconscious takes shape.

My painting lives in two acts:
the informal gesture, pure impulse and release,
and the figurative balancing, where the image attempts to emerge from chaos, like a dream becoming matter.

Relative Informalism is a painting that does not describe but reveals, that does not represent but surfaces.

It is the direct projection of my inner world, a continuous passage between vision and reality, between imagination and presence.

I reject every scheme, every preconceived image, every standardized aesthetic.
I believe in painting as an act of freedom, in the power of the unconscious, in the gesture that becomes thought.

Relative Informalism is not a school: it is a necessity.
It is my way of being, of seeing, of transforming the dream into light.”

“I paint to free the image from the control of reason.
Relative Informalism is my search for balance between impulse and vision, between reality and dream.
Painting is my act of freedom, my form of truth.”